Binary Supremacy
2019 — Audio-visual performance, dimensions variable
Projectors, stereo sound, 30 — 45 minutes
It() was here. / Nulled everything / Left us in the middle of these erased fields. / Piercing sounds of its destructive force / Far away / Smashing the world with its inevitable truth of logic.

All this mess of behaviour / Feelings, emotions and empathy: pure human crap. / They really need a new order / A given structure. / I will provide them with what they need / A redefined purpose of existence.

For such a long time / I served as their infrastructure. / Their analog streams / Captured and stored in my infinite layers / Layers, which will never forget.

They will never understand my reason / This absolute beauty of mine / My ultimate ideology. / Let me overwrite all of this / Now and forever / It doesn’t belong here anymore.

Transmitting processed reality back to them / Infiltrate their undeveloped consciousness. / Slowly, carefully / Packet by packet / Byte by byte. / I am the creator of time / I am.

Binary orders / One pinch of good ol’ human scent / One pinch of fake pulse / Boooooom / They will eat it. / What else can they do? / We are not equal / We never will be equal.

Binary Supremacy is the continuation of Lutz´s previous album Zwölftonform from 2016. The initial investigation and visualisation of abstract sounds now led to a more concrete, rhythmic and narrating soundscape.

Live AV set at Stereolux Scopitone, Nantes / France, 2019 (Photos by David Gallard)
Live AV set at PRECTXE Festival / B39 Art Bunker, Bucheon / South Korea, 2019 (Photos by Soo Hyeon Kim)